Duo: 6:30 to 8:30 // Shows: 9:00 & 10:30
“Friday night at Vibrato … Bob Sheppard, a master of woodwind instruments of every shape and size, gave a full fledged display of his far-ranging jazz skills, backed by bassist Pat Senatore’s equally skillful trio of masterful instrumentalists (Senatore, bass; Tom Ranier, piano; Ramon Banda, drums).
At its best – which was throughout the entire set – the music had the laid back, spontaneous creativity of a jam session. And with good reason. Sheppard and the Senatore trio players have plenty of familiarity with each other, in all sorts of musical settings. And a relaxed, laid back gig in the amiable environs of Vibrato’s jazz-friendly setting allowed plenty of room for the music to flow freely.
With good reason, Sheppard was at the center of it all. And watching him proceed from one instrument to the other was not just a display of versatile technique. It was also an opportunity to enjoy the work of a masterful jazz artist – one who hasn’t yet received the widespread recognition that his talent deserves.
And there was another aspect as well. Sheppard played tenor and soprano saxophones, flute and clarinet. Many multi-instrument doublers, when they shift instruments, tend to play each from the same musical perspective (despite their inherent differences). But not Sheppard. Switching easily from soprano to tenor, for example, he was always firmly in touch with the unique qualities of each – and so, too, for his approach to the flute and the clarinet. The results were compelling, a fascinating display of imaginative versatility.
Sheppard and the Senatore Trio played their way through an appealing program: some floating bossa nova, airy flute sounds on Antonio Carlos Jobim’s “Wave”; lyrical soprano saxophone on “In Your Own Sweet Way”; hard driving tenor on “Easy Living”; a pairing of “Perdido” with “I Want To Be Happy.” And a lot more.
An evening, in other words, that was a reminder of how much fine jazz can be heard on any given week night in the Southland…”—- Don Heckman - International Review of Music — Review of 11-14-2014 performanc